Сведение — это процесс творческий и достаточно непростой.
Вы записали все партии инструментов , завершили аранжировку, выбрали, смонтировали лучшие вокальные дубли… И вот наступает самый ответственный этап — сведение.
При сведении микса нужно учитывать многие аспекты — громкость партий, панораму , включение в микс разнообразных эффектов и процесоров и т. п..
При миксинге (так ещё называют сведение), в силу разных причин, у Вас могут возникнуть некоторые сложности в доведении звучания микса до желаемого результата — бас с бочкой конфликтуют, нет грамотного распределения треков в пространстве, пропадает основная тема, недостаточно разборчиво звучит вокальная линия. В итоге — микс у Вас не звучит.
Причины этому разные, но главное, это то, что микс не будет звучать так как нужно, при некорректном сведении, даже, если применяется самая профессиональная и современная в техническом плане финальная обработка.
«Звукорежиссёр» предлагаем свои услуги по сведению Ваших композиций, которые включают в себя:
Сведение.
Коррекция Вашей уже сведенной композиции.
Коррекция отдельных тембров микса.
Использование железныых синтезаторов.
ТРЕБОВАНИЯ К МАТЕРИАЛУ:
а) Нужен превью файл в мп3 формате для общего ознакомления с Вашей композицией.
б) Поканальный mixdown дорожек проекта с обработками, кроме reverb, delay, sidechain. Указывать названия дорожек, например Бас.wav, Кик.wav, Синт.wav,и т.д. Дорожки должны быть на максимальной громкости, но уровень пиков не должен превышать 0 дб. Настройки — 44100Hz, 24 бита.
в) Мidi трекинг всех партий проекта.
г) Темп трека в bpm.
д) От Вас также потребуются 2-3 композиции — образцов, которые устраивают Вас по громкости и звучанию.
Next time I read a blog, I hope that it doesn’t fail me just as much as this particular one. I mean, Yes, it was my choice to read, but I genuinely believed you’d have something useful to talk about. All I hear is a bunch of complaining about something that you could possibly fix if you weren’t too busy looking for attention.
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